Monograph in Progress
Sundry Forms: Poetry, Print, and the Making of the Miscellany in Early Modern England
Sundry Forms traces the development of the poetry collection as both an object and an engine of imaginative writing in early modern England. Identifying an active poetic practice in commercial habits of arranging lyrics, this project argues that gathered poetry reflects a creative struggle with the contingencies of textual production. Books that now strain expectations of design and coherence record a series of experiments with the poetic affordances of collected writing, as well the process through which modern readers have forgotten this early history.
“Gathered by Invention: Additive Forms and Inference in Gascoigne’s Poesy,” Modern Language Quarterly 76.4 (2015): 413–445.
“Turning Sonnets into Poems: Textual Affect and John Benson’s Metaphysical Shakespeare,” Shakespeare Quarterly 64.1 (2013): 71–98.
“‘A World of my own Creating’: Private Worlds and Social Selves in Margaret Cavendish’s Blazing World,” in Individualism: The Cultural Logic of Modernity, ed. Zubin Meer (Lanham, MD: Lexington Books, 2011), 71–86.
Review of The Oxford Handbook of Shakespeare’s Poetry, ed. Jonathan Post (Oxford: Oxford University Press, 2013), Shakespeare Quarterly 66.4 (2015): 465–467.
Review of Jeffrey Todd Knight, Bound to Read (Philadelphia: University of Pennsylvania Press, 2013), Modern Philology 112.2 (2014): E164–E167.
“Histories and Communities of Books,” The Collation: A Gathering of Scholarship from the Folger Shakespeare Library (March 2017).